The Downton Abbey Guide to Irresistible Narrative Marketing

The Downton Abbey Guide to Irresistible Narrative Marketing

Reader Comments (66)

  1. I haven’t checked out Downtown Abbey yet (yeah…even though I’m English) but have heard nothing but good things about it. I don’t get to read other blogs too much but I have to say this was one of the best posts I’ve read in a while. Good job Matthew!

  2. I’ve never actually HEARD of Downton Abbey until this blog post. Thanks for saving me the time it takes to actually watch it (which sounds dangerous… could be addicting) by explaining how strengths of the show can be applied to copywriting… which I probably wouldn’t have even thought of it I HAD watched the show!

    • I still encourage watching the series. It’s phenomenal! Yes, addictive too, but exceedingly worth it. There’s so much you can learn while also being entertained. Thanks for the kinds; glad you found them useful.

      Best,
      Matt

  3. Never heard of Downtown Abbey either – sounds fantastic.

    I love the “create incredibly high stakes…” advice for landing pages. As many as I’ve done, and as many times as I thought I was probably doing that – just approaching things with those 4 words in mind will definitely help bring a new perspective. Great stuff.

    • Thanks Dave! Yes, I think we can all benefit from new, fresh and better “framings” from time to time. Just because we’ve done something before doesn’t mean we can improve. Excellent perspective. Thanks!

      Best,
      Matt

  4. I am a devoted fan of Downton, it is best show I can remember in very long time. One of the most compelling aspects of the show is restrain and subtlety. Everything is incredibly nuanced into a look, expression, quirk of an eyebrow or a slightly pithy remark. Can’t say I’d have made the internet marketing connection on my own, but fantastic analogies.

    • Great points Diane. The subtlety is indeed amazing; it really adds depth and intrigue to the storytelling.

      Always glad to meet a fellow Downton devotee! ๐Ÿ™‚

      Best,
      Matt

  5. The copy writing done for this article is as enchanting as the Downtown Abbey it describes. I have not been able to catch a glimpse of it too. But you have generated enough interest in me now to go and watch it as soon as I get the opportunity.

    • If you’re bewitched to now watch Downton, then I will humbly consider my job well done ๐Ÿ™‚ Glad this article provided a boost of inspiration and know-how.

      Best,
      Matt

  6. Excellent post. The art of storytelling is a hard one to get right I find and people get confused how it ties into marketing. It’s that fine balance between telling your story and telling your readers story. I’ve tried to bring the craft of storytelling into my blog but I had never thought about the need for tension even though that’s one of the first principles of telling a good story in my opinion. That’s been a big missing link for me. So thanks, it helps a lot.

    • Thank you Sue!

      I love your point about the balance between telling your story and telling the reader’s story. So true.

      Glad this article provided a breakthrough idea!

      Best,
      Matt

  7. I’m proud to say that I have seen Downton Abbey (every ounce of it) and am a massive fan for all the reasons you mention. For me it was compulsive viewing ever Sunday, especially the Christmas Special. Can’t wait for the new series to come out this year. Your take on storytelling is so accurate and timely. I’m launching a new blog soon and have come to the realisation, that if I want this blog to be successful, storytelling is the way to go. Thanks for your insights!

    • Hi Celine-

      Like you, I’m a massive Downton fan (proudly so). The Christmas Special was phenomenal, but truly, what episode wasn’t?!

      I’m thrilled that someone who has enjoyed and studied Downton as closely as I have appreciates my analysis.

      All the best for the new blog.
      Matt

  8. With Downton, there is โ€œa truth to the way people behave,โ€ adds Elizabeth McGovern.

    Yes, and the excellent writing remains (so far) true to the characters. Forced narrative (be it TV show, book, marketing blog) is the first sign of the ship going down, so to speak.

  9. It’s a good idea to watch your favorite shows and movie with these very good points in mind. The ones that have really good stories are typically the ones that follow just what you’ve outlined here–everything from Pretty Woman to Star Wars to The Thin Man has all of these elements.
    Great breakdown of What’s Important, Matt. (Here, by the way, by courtesy of our mutual friend Hola Mindy.) Cheers!

    • Hi Yi. Yes, there are many repeatable patterns to great storytelling. This proves, in large part, that there is “luck” or even “gift” to creating such irresistible stories, but rather that it’s a matter of “skill.” Skills can be learned, adapted and applied, as is true to form in the epics you mentioned.

      Great to know you found your way here via our wonderful mutual friend, Mindy. She’s precious.

      Matt

  10. These are great tips! I wonder if we actually start using these types of elements within our own writing what kinds of results that we would see from the efforts to make things more identifiable to the readers. I think I’ve noticed in my own writing that I haven’t made efforts to try to connect my readers from time to time and this was a good reminder to get back on that track towards identifying with the readers.

  11. Great breakdown of the story elements DA uses (and that we need to apply to our own copy writing). As a recovering English major, I’m always trying to find (or create) the important storytelling bits for a marketing piece, a web page or a blog post. You did an excellent job of pointing out those bits we need to keep an eye on.

    Funny thing! I recently wrote this post on Downton Abbey — they can also teach us a thing or two about building a passionate tribe: http://thewordchef.com/2012/02/the-downton-abbey-guide-to-building-a-passionate-tribe/

  12. Hi Matthew,

    Smashing analogy!

    I have yet to watch the show but see why it would strike an emotional chord. This is the key, writing something that moves people into action. To hit the Share button, or tell a friend, or take your call to action.

    When you get this down, you can generate a sizable readership and bring in some nice scratch to boot ๐Ÿ˜‰

    Thanks for sharing Matthew!

    Ryan

  13. I think Downton Abbey also shows how important it is to find an under-served market and give it what it really craves. Most television programming has gravitated to trashy “reality” shows because they are inexpensive to make, and don’t require good writing or acting. Reality shows appeal to a large enough segment of the population to be profitable, but they DON’T appeal to everyone. The viewers who love drama, and really well-written/well-acted drama, have been starving for a decade. “Downton Abbey” is not even PBS’ best drama series. There were many far-better series in the past, it’s just that “Downton” arrives in the midst of a drought of television dramas, so it doesn’t have much competition. “The Jewel in the Crown” , “All Creatures Great and Small,” any of the Thomas Hardy adaptations from the late 90s (Tess, Far from the Madding Crowd, etc) were better written and acted. They were only impaired by the lack of continuity. When the entire novel of “Tess of the D’Urbervilles” has been adapted for television, there’s barely enough for 3 episodes, much less an entire season, which is barely long enough for the series to gather a following. Basically, early adopters will jump on board, but the series were over before the “idea virus” could spread. “Downton” has the advantage of appealing to an under-served and starving market. It also has the advantage of the soap opera in that as long as viewers keep watching it, writers can keep creating new story lines and the popularity of the show has time to build.

    • Fabulous insights and analysis Vicki. I couldn’t agree more about the contrasts with “reality” TV.

      The under-served and starving market angle is paramount to good business thinking. Nice points!

      Best,
      Matt

  14. Great posts!

    There’s a lot to be learned from good TV shows for character building, storytelling, creating drama – all the important aspects of marketing today.

    Thanks for the Downtown Abbey mention – I went immediately to iTunes to buy it, and the first part is free ๐Ÿ™‚

    • I’m honored to be a force to help spread the contagious Downton Abbey fandom ๐Ÿ™‚ Glad you went out to get the series. You’ll adore it, no doubt about it.

      Thanks for the kind words.

      Matt

  15. The actors are great as well as the story telling. I’m a history buff, and I love how they portrayed Electricity being installed in the house, or the NEW phone being installed. So it seems the writers do a lot of research on these technological events and how the people regarded these changes; which finds itself sprinkled lightly throughout the series and gives authenticity to the the story. Not to mention all the other historical events, language, vocabulary etc which gives the viewers a great deal of insight to another era! I just started the second series, I wish there were MORE episodes! Great article post….

    • The electricity scenes were brilliant. And I too wish there were more episodes. Thankfully, season 3 has been approved and is production already. The sensation goes on!

      Matt

  16. What I love about Downton Abbey is that it is just so intrinsically good. The characters, the sets, the costumes, the writing, every single detail is in place. And because everything was so good, it was nominated for awards, and consequently, won a lot of them. I had only heard whisperings of the show when it won its Emmys, but once it did, I knew I had to see it.

    And I was hooked after episode one.

    What’s been reinforced in my writing post-Downton is that putting in the time to create something of superior quality will reward you several times over. This show would not be as successful if production had been rushed and something was “missing.” It’s the same with your content. Following the takeaways here, drafting quality copy, and paying attention to the details will eventually get you the attention your writing deserves.

    Thanks for the fantastic Downton post, Matt.

    • Absolutely Mandy. While it’s important to operate with a high sense of urgency, that’s no excuse to rush one’s work. Especially in our digital day and age marked with an impossible volume of content, producing yours to an impeccable level helps to elevate your work above the noise.

      So glad you enjoyed this article. Thanks again!

      Matt

  17. I agree with every point you made about DA (and every other great epic). That’s the seduction of “once upon a time…” One thing you forgot to mention is that Americans are suckers for British accents and costume dramas. The story is important but so is the storyteller.

    • Oh, I so agree, especially about the accents. Great final point that “the story is important but so is the storyteller.”

      Matt

  18. Clarity of characters and their outcome is very similar to clarity of products and the results they bring, when it comes to marketing. Both characters and products must be irresistible, understandable, accessible, and ultimately create a change of some sort. That’s what a good character story and good product marketing is all about, and Downton Abbey achieves this. I’m also a big fan of Breaking Bad for the same reason — which is another gripping tale with wonderful, evolving characters.

  19. This is really interesting – I think I’m going to have to watch the show now!
    I really like your last takeaway – telling stories in a human way. People communicate with other people and in general don’t like communicating with non-people, so if you show personalities on your blog it’s easier/more likely to be engaged with (from my understanding anyway).
    And of course, the automatic drama ties in very nicely with a lot of Brian’s headlines that he gave away in his headline book ๐Ÿ˜‰

    • The human element is essential and, perhaps paradoxically, the one most folks mess up … IMHO at least.

      Yes, Brian’s headlines tie in beautifully with the concept of automatic drama. I’m sure he appreciates your acknowledgment of such ๐Ÿ™‚

      Matt

  20. Matt,

    For starters, let me congratulate you on a job well done. Thank you for writing this blog post. You are a gifted writer, to be sure, and we truly appreciate your presence here. Your writing makes me want to read your work on a regular basis. We also appreciate links, as always, quite useful. This is a great blog to read for those of us who enjoy learning.

    I am afraid I am not familiar with this show, but your analysis makes me want to check it out. However, I feel that such shows are culture-specific and may not always work in another cultural context. People from other countries may not understand what is going on. They may need subtitles in case English is not their mother tongue. Also, it seems that the show is from another generation, so what about the younger viewers? Would it really hold their interest?

    Shows like this will likely capture the attention of people like us, but what about those who don’t even have access to TV? Or, who grew up in a different environment? Or, who have never visited another country? Have never travelled abroad? Have never really experienced other cultures? For them, I fear, shows like this may pique their curiosity, but they may be disappointed. On the other hand, it also presents a great learning opportunity for them. If only we could build bridges between different cultures and nations by encouraging viewership globally. What a wonderful world it could be. Moreover, viewers can be attracted to programs even when they are not able to relate to the drama. There are so many cases like this. For example, I really enjoyed Jeremy Brett’s acting in the TV series on Sherlock Holmes although I shared very little in common with the character or that particular phase of England. Just a thought. Cheers.

    • Hi Archan-

      I’m flattered by your comments. Thank you! It was a joy to write and pleasure to share this article.

      I do believe Downton can be understood and appreciated by those of other cultures, nationalities, generations and probably any other cultural, geographical or psychology demographic. Yes, subtitles may be necessary, and the “polish” of the effect may be lost in translation. But the human energy will not. Downton is alive and thriving due to human conflict (internal and external) that transcends these boundaries.

      For example, I’m of a younger generation myself (though not the youngest anymore I’m afraid). And I adore Downton with borderline obsession. And it was my younger sister who got me hooked.

      Your other questions are all very intelligent. Yes to them all. Even if one doesn’t understand (or appreciate) English aristocracy in and of itself, the general construct of “haves” versus “have nots”, upper class in relationships with lower class, and the like (again) transcends one culture or period of time.

      I hope all this helps further excite you to see the series. You positively should!

      Best,
      Matt

  21. Mr. Gartland, your first point about identifiable characters combines with Vicki’s comment about reality television to illustrate a glaring flaw I’ve noted in the reality TV I’ve watched. Every series seems to cast, or at least edit, to create stock characters. Dramatic conflict is contrived, leaving the audience feeling manipulated.

    This season of The Bachelor provides a prime example. (I watch it with my daughters only for its mock-worthiness.) Cast: The B*****, The Innocent, The One Who Cries, The Divorcee, The Recently Heartbroken, The One Who Cannot Trust, The Overly-Trusting, The Too-Smart-for-This-Guy, The Girl with a Past, The Girl with a Boyfriend at Home, et. al., ad naseum. Nothing new. If we weren’t so busy making fun of it, we’d be ill.

    In contrast, Downton engages us on multiple levels. We find moments of compassion for even the most unlikeable characters, just as we often can for unlikeable people. Its restrained writing and acting allow for subtlety and nuance. Its themes are timeless: Love, loss, family, class, change.

    Is it perfect? No. See The Language Log (http://languagelog.ldc.upenn.edu/nll/?p=3767) for notes on anachronisms in usage amid its otherwise meticulously researched scripts. Does it benefit from the contrast with the dreck and reruns of dreck that fill television schedules. Yes.

    Intelligent analysis and writing, Mr. Gartland. That’s almost as rare as quality drama on television today.

    • Lady Sturgess, you’re very kind ๐Ÿ™‚

      You illustrate a phenomenal point about the complexity of characters (or, in The Bachelor’s case, the lack thereof). In those manufactured monstrosities (creatively speaking), the individuals never change. The Innocent is the Innocent from start to finish. That’s the fundamentally contradictory to natural human nature.

      Downton is so compelling because each character (even those you initially hate, e.g. Ms. O’Brien) evolve through ranges of feelings and actions. There are times you hate them, love them, pity them, fear for them, and so on. It’s a complex fabric that, I dare say, is more “real” than “Reality” shows.

      Thanks again for your thoughtful comment!
      Matt

  22. I absolutely LOVE how you tied in Downton Abbey with blogging and marketing! I’ve just started blogging and this article has been a great addition to my notes. I can start off on the right foot and get a good following from the beginning by following your Downton Abbey Guide… genius!

    Jas

  23. Great points Matthew!
    as a Brit I did watch Downton Abbey from the beginning and yes, was immediately hooked! I love the tension brought about by simple actions, nothing incredibly complex and daring, just humans being human.
    With reference to your post, what a great way to draw a comparison, it made it so much easier for me to understand your points, great way of communicating the idea with something a lot of people can identify with.

    I particularly liked your 4th point about change. I’m trying to alter my copy so that it helps prospects to rewrite their narrative to one that they aspire to, and can see my product or services helping to facilitate that positive change.

    Thanks Again! Jess

  24. Excellent post. Despite the fact that I don’t watch a lot of TV (anymore), I checked out Downton Abbey because of all the great things I heard about it and I am hooked. What I love most about it is the serenity and the lack of distraction. Despite the customs, the colors are a bit faded and the scenes often take place in surroundings that feel grey and sad. You wouldn’t think that this was going to make an impression on the viewers in today’s world with bright colors and glitz. I think we can learn to be different in order to stand out. If you’re doing what everybody else does, there is no way you will make an impression.

  25. Great post. I’m insanely jealous I didn’t write it (being both a copywriter and obsessive Downton-ite) — it’s spot-on about good storytelling and what makes it work.
    Blerg.

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